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    <title>The Showbiz Clinic — Film</title>
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    <description>Pictures followed from financing and rights through production spend to release strategy, including the recoupment order deciding who gets paid first.</description>
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      <title>How the Theatrical Window Works — and Why Hollywood Just Made It Longer Again</title>
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      <description><![CDATA[Universal is stretching its theatrical window from a 17-day pandemic-era minimum to roughly 45 days by 2027, joining Disney, Sony, Warner Bros. and Paramount Skydance in walking back the rush to streaming.]]></description>
      <pubDate>Sat, 15 Aug 2026 08:51:06 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Film</category>
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      <title>Independent Film Versus Studio Film: Where the Money Actually Goes</title>
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      <description><![CDATA[Independent film vs studio film: where the money goes, from waterfall order to distribution fees and who keeps the upside.]]></description>
      <pubDate>Mon, 27 Jul 2026 12:00:00 GMT</pubDate>
      <dc:creator>Alice Bay</dc:creator>
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      <title>How Film Libraries Get Valued: The Multiples Behind Catalog Deals</title>
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      <description><![CDATA[How film libraries get valued: catalog multiples, the Amazon-MGM math, and what quietly erodes a library's price.]]></description>
      <pubDate>Sun, 05 Jul 2026 12:00:00 GMT</pubDate>
      <dc:creator>Omar Rivera</dc:creator>
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      <title>How Streamers Value Day-and-Date Releases Without Box Office Math</title>
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      <description><![CDATA[How streamers value day-and-date releases: subscriber math, the 2021 HBO Max experiment, and who wins when windows collapse.]]></description>
      <pubDate>Fri, 12 Jun 2026 12:00:00 GMT</pubDate>
      <dc:creator>Omar Rivera</dc:creator>
      <category>Film</category>
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      <title>Why Movies Cost $200 Million: Negative Cost Explained Line by Line</title>
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      <description><![CDATA[Negative cost explained: why movies cost $200 million, from above-the-line deals to thousands of effects shots.]]></description>
      <pubDate>Wed, 20 May 2026 12:00:00 GMT</pubDate>
      <dc:creator>Alice Bay</dc:creator>
      <category>Film</category>
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      <title>How Backend Points Work When Actors Get a Cut of Profits</title>
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      <description><![CDATA[How backend points work when actors get a cut: gross versus net, first-dollar deals, and why streaming changed the game.]]></description>
      <pubDate>Mon, 27 Apr 2026 12:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Film</category>
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      <title>How P&amp;A Spend Works When Marketing a Wide Theatrical Release</title>
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      <description><![CDATA[How P&A spend works when marketing a wide release: media buys, tracking, opening weekends and who recoups first.]]></description>
      <pubDate>Sun, 05 Apr 2026 12:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Film</category>
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      <title>How Distribution Rights Sell Territory by Territory at the Markets</title>
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      <description><![CDATA[How distribution rights sell territory by territory: minimum guarantees, market suites, and who gets paid from each country deal.]]></description>
      <pubDate>Fri, 13 Mar 2026 12:00:00 GMT</pubDate>
      <dc:creator>Alice Bay</dc:creator>
      <category>Film</category>
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      <title>Film Tax Incentives Explained: What States Pay Studios to Shoot</title>
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      <description><![CDATA[Film tax incentives explained: what states pay studios, how transferable credits cash out, and why Georgia and California differ.]]></description>
      <pubDate>Wed, 18 Feb 2026 12:00:00 GMT</pubDate>
      <dc:creator>Alice Bay</dc:creator>
      <category>Film</category>
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      <title>How Completion Bonds Protect Film Investors From a Broken Shoot</title>
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      <description><![CDATA[How completion bonds protect film investors: delivery guarantees, takeover rights and why lenders will not fund without one.]]></description>
      <pubDate>Mon, 26 Jan 2026 12:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
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      <title>How a Movie Gets Financed: Presales, Rebates and Equity Explained</title>
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      <description><![CDATA[How a movie gets financed: presales, tax rebates, gap debt and equity explained, and who gets paid first in the waterfall.]]></description>
      <pubDate>Sun, 04 Jan 2026 12:00:00 GMT</pubDate>
      <dc:creator>Omar Rivera</dc:creator>
      <category>Film</category>
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